EXPLODE YOUR VISUAL EFFECTS SKILLS AND LEVEL UP YOUR
CAREER?

  Episode 298 — Zack Snyder’s JUSTICE LEAGUE — Scanline VFX When it comes to VFX Work, Bryan Hirota has seen a lot in his career, from his first VFX job at Visual Image to currently being a VFX Supervisor at Scanline VFX. He’s worked at studios like Pixomondo, Prime Focus VFX, CIS Hollywood, Blue [

  Episode 297 — Platige Image — The Witcher Platige Image S.A. is a Polish VFX company that specializes in computer graphics, 3D animation and digital special effects. It was founded in Warsaw in 1997, by Jarosław Sawko and Piotr Sikora. The studio employs a staff of over 150 artists, including direct

  Episode 296 — Blowing Up Your Freelance Prices We have these barriers that we put on ourselves because we set our reality to be around these limitations. We tell ourselves we can’t do something. Or that art doesn’t pay. Or that the industry sucks. These are the constraints — or excuses — we

  Episode 295 — DOOM ETERNAL – Hugo Martin Welcome to Episode 295! This is Allan McKay.  I want to break down a discussion I had with Hugo Martin, the Creative Director for DOOM and DOOM Eternal, and all the key takeaways I learned from speaking to him. I’m really excited about this. It’s a [&hell

  Episode 294 — Dickinson VFX Supervisor – Lotta Forssman Lotta (aka Charlotta) Forssman is a VFX supervisor based out of NYC. For nearly a decade, she has been part of Molecule VFX and has worked on shows like Ballers (HBO), The Good Cop, Unbreakable Kimmy Schmidt, Master of None (Netflix). She has be

Episode 293 — Unreal Fellowship — Brian Pohl The Unreal Fellowship is a 30-day intensive blended learning experience designed to help experienced industry professionals in film, animation, and VFX learn Unreal Engine, develop a strong command of state-of-the-art virtual production tools, and foster the next